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Barbara Stock, an actress recognized for her role in the iconic television series Dallas, underwent an unexpected career shift. She portrayed Liz Adams, a savvy government agent, during the show’s final seasons. Her departure was surprising, even amid the show’s immense popularity in the 1980s.
Previously known for her work on CHiPs, Stock viewed her role on Dallas as a significant milestone. However, her exit from the series came abruptly, imparting valuable lessons about the unpredictable nature of television.
Unexpected departures in television
Stock reminisced about her last day on set, recalling a moment that hinted at her imminent departure.
“I was in the makeup room when someone casually mentioned, ‘I hear this is your last day!'” she shared. This revelation was a shock, emphasizing how actors often remain unaware of their narrative arcs until the last moment.
Signs that the end is near
Reflecting on her final episode, Stock noted a significant clue: packing her suitcase during a scene. “In retrospect, any actor should take note when they are shown packing up their belongings; it often signifies that their story is concluding,” she explained.
This realization came too late for her, marking an emotional farewell to a project she had cherished.
Joining the ambitious Ewing family saga, which explored the cutthroat world of oil tycoons, Stock had hoped to partake in the show’s grand finale.
She expressed her disappointment, stating, “I wished I could have been part of the final send-off for a show that meant so much to so many.” The series concluded in 1991, leaving a legacy that continues to resonate with audiences.
Bittersweet memories and friendships
Despite the unexpected nature of her exit, Stock harbors no resentment. “One silver lining was that my contract guaranteed payment for all episodes, even those I didn’t film,” she remarked. This allowed her to pursue other opportunities without the burden of unfinished business on the show.
She fondly remembers her co-stars, particularly Larry Hagman, who portrayed the infamous J.R. Ewing. Stock recalled how Hagman’s wife believed her character would have made a fitting love interest for him. “It would have been intriguing to see how that played out, but once the show concluded, I moved on without dwelling on what could have been,” she reflected.
The warmth of the cast
Stock expressed her gratitude for the camaraderie among the cast, stating, “There wasn’t a single difficult personality among them. They made each day enjoyable, whether for a large ensemble scene or a solitary moment.” She remembered how welcoming her fellow actors were, including George Kennedy and Ken Kercheval, who helped her feel like part of the family.
Even after years apart, Stock has maintained friendships with her former colleagues. Last year, she had a chance encounter with Patrick Duffy, who played Bobby Ewing, at an autograph convention. “It was delightful to reconnect and see how well he’s doing in his career,” she said, reminiscing about their shared experiences.
A transition to design and personal life
After her time on Dallas, Stock transitioned away from acting, finding her passion in interior design. “I fell in love with creating beautiful spaces, and when I became a mother, my priorities shifted,” she explained. With her husband working long hours in television production, the couple decided that staying home to raise their son was their top priority.
Previously known for her work on CHiPs, Stock viewed her role on Dallas as a significant milestone. However, her exit from the series came abruptly, imparting valuable lessons about the unpredictable nature of television.0
Finding fulfillment in design
Previously known for her work on CHiPs, Stock viewed her role on Dallas as a significant milestone. However, her exit from the series came abruptly, imparting valuable lessons about the unpredictable nature of television.1
Previously known for her work on CHiPs, Stock viewed her role on Dallas as a significant milestone. However, her exit from the series came abruptly, imparting valuable lessons about the unpredictable nature of television.2
