New crime drama explores King Ludwig II, Neuschwanstein and a hidden love

The upcoming miniseries Ludwig revisits the life and death of King Ludwig II of Bavaria through the lens of a fictionalized crime inquiry. Produced by W&B Television for broadcasters including ARD Degeto, BR, ServusTV and SRF, the show frames the historical events as a reopened cold case. At its center is a psychiatrist who must evaluate a key document that once declared the monarch unfit to rule, and in doing so peels back layers of power, fantasy and forbidden romance.

With international distribution overseen by Beta Film, the series combines period spectacle with investigative suspense. Filming took place at landmark settings such as Neuschwanstein and Munich’s Residenz, with additional production work in the Czech Republic. The creative team aims to balance opulent visuals with intimate character work to make Ludwig both a historical portrait and a contemporary drama.

Storyline and thematic focus

The narrative follows psychologist Gustav Zimmermann, who is commissioned to review a psychiatric assessment of King Ludwig II. As Zimmermann digs deeper, the official rationale for removing the king from power unravels and exposes the monarch’s inner contradictions: his yearning for artistic freedom, his fraught relationship with authority, and his concealed same-sex love. The series frames these revelations within a fictional cold-case structure that gradually reveals clues, motives and consequences.

By treating the events as both biography and crime drama, the project highlights themes of creative obsession, state intervention, and the social cost of nonconformity. The story does not merely retell famous episodes; it interrogates how mythmaking and political expediency can obscure a person’s humanity, offering a reinterpretation of Ludwig’s life that foregrounds personal vulnerability alongside public spectacle.

Cast, characters and creative leads

At the center of the production is Luis Pintsch, who portrays King Ludwig II, bringing a younger, more turbulent vision of the monarch to the screen. Felix Mayr plays psych­ologist Gustav Zimmermann, the investigator whose work propels the plot. Supporting roles include Aaron Friesz, Carlotta Bähre, Jonathan Kriener, and well-known faces such as Tom Wlaschiha, Francis Fulton-Smith and Karl Markovics, forming a company that ranges from rising talent to established international performers.

Directors Nina Vukovic and Sebastian Ko share helming duties and contributed to the writing, while Dominik Kempf and Marianne Wendt serve as head writers. Jan Prahl is the director of photography, ensuring the series’ look captures both the gilded interiors and the darker, more introspective tableaux that the story demands. Executive production credits include Oliver Vogel, Quirin Berg, Max Wiedemann and Dominik Kempf, supported by a broader producing team.

Approach to characterization

The series aims to humanize Ludwig by exploring his contradictions: an extravagant patron of the arts who is also isolated and politically compromised. Rather than a straightforward historical biography, the show uses investigative momentum to reveal the king’s emotional world. Through meticulous production design and performance, the series juxtaposes fantastical opulence—echoed by the castles and court—with quieter scenes that expose longing and isolation.

Production, locations and international distribution

Principal photography used authentic sites to ground the series visually. Key sequences were filmed at Neuschwanstein Castle, the real-world emblem often associated with fairy-tale imagery, and at the Residenz in Munich, reflecting royal settings. Additional shoots in the Czech Republic provided period-accurate backdrops and production incentives that supported the series’ scale.

On the business side, Beta Film has taken charge of international sales, positioning the miniseries for a global audience. Production funding includes contributions and support from the German Motion Picture Fund (GMPF), the Bavarian Film and Television Fund (FFF Bayern), and incentives from the Czech Audiovisual Fund, illustrating the cross-border financing typical of high-end European television projects.

Industry and broadcaster collaboration

The project is a co-production tailored for ARD Degeto, BR, ServusTV and SRF, which facilitated access to historic locations and regional resources. Broadcaster involvement reflects an appetite for premium period drama that can travel internationally while addressing nuanced social histories and contemporary questions about identity and power.

Beta Film and the creative producers frame the series as both an entertainment vehicle and a reexamination of a famous historical figure. Their statements emphasize Ludwig’s dramatic virtues—a visionary who pursued grand projects such as the construction that inspired Disney’s castle emblem—and the unresolved mystery of his early demise. Those elements, combined with a crime-tinged narrative and a strong creative team, are intended to make Ludwig resonate across markets.