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Theatergoers heading into spring will find a spectrum of offerings across the Mid-Atlantic and New York stages, from weighty revivals to playful, crowd-pleasing musicals. This season features a headline-grabbing revival of Arthur Miller’s Death of a Salesman on Broadway, a stage adaptation of the cinematic classic Dog Day Afternoon, and the offbeat, chart-topping jukebox romp Titaníque. Alongside these are regional productions and premieres tackling history, grief and identity, giving audiences both blockbuster star power and intimate new work to explore.
Several productions bring notable names and creative teams: Tony winners lead ensembles, established directors reimagine canonical plays, and fresh adaptations revisit familiar stories with modern emphasis. Tickets for many of these engagements are on sale through theatre box offices and official websites; with limited runs and star casting, reservations are recommended. Below is a mapped overview of key shows, casting particulars and what makes each production a springtime must-see.
Broadway centerpiece: Death of a Salesman and its expanded run
The Broadway revival of Arthur Miller’s Death of a Salesman has extended its engagement, now running through August 9, 2026. Previews begin March 6, and opening night is scheduled for April 9; this limited engagement originally had been planned to close June 14 before the extension was announced. The production assembles a high-profile cast headlined by Tony winners Nathan Lane and Laurie Metcalf, with Christopher Abbott, Ben Ahlers and other ensemble members supporting the central roles. Director Joe Mantello, a Tony winner, leads a creative team that includes scenic designer Chloe Lamford, costume designer Rudy Mance, lighting designer Jack Knowles and sound designer Mikaal Sulaiman, while Pulitzer-winning musician Caroline Shaw composes an original score.
Casting and creative notes
Casting updates list Katherine Romans joining as Miss Forsythe and Mary Neely as Letta, with Alexis Bronkovic, Erik Kilpatrick and Brendan Donaldson named as understudies in key parts. Aidan Cazeau and Charlie Niccolini complete the reported roster. The production’s combination of star wattage and accomplished design collaborators positions this revival as one of the season’s most anticipated returns, promising a fresh staging of Miller’s exploration of ambition, family and the pressures of the American dream.
New-stage adaptations and premieres to watch
Beyond Miller, spring programming includes contemporary adaptations and regional premieres that probe historical and personal themes. A stage version of Dog Day Afternoon, adapted by Pulitzer winner Stephen Adly Guirgis and directed by Rupert Goold, brings Jon Bernthal and Ebon Moss-Bachrach into roles inspired by Al Pacino and John Cazale, preserving the 1972 setting while updating emphasis on queer and transgender identity. In Washington, Arena Stage mounts Jerome Lawrence and Robert Edwin Lee’s Inherit the Wind in the round, framing debates around science and religious freedom with seasoned performers. Studio Theatre presents the D.C. premiere of Jonah, a time-jumping work that follows a student through decades of discovery and resilience, directed by Taylor Reynolds.
Regional highlights and historical revivals
Historical musicals also return to regional stages: Ford’s Theatre revives 1776 with a cast of local favorites, joining a Paper Mill Playhouse production mounting its own version. Shakespeare Theatre Company stages an adaptation of Maggie O’Farrell’s Hamnet, a meditation on artistic legacy and familial grief by playwright Lolita Chakrabarti. These productions offer a mix of large-scale patriotism and intimate storytelling, giving audiences multiple ways to engage with American history and literary adaptation.
Musical levity and starry revivals: Titaníque, Schmigadoon! and more
For lighter fare this spring, Broadway welcomes commercially minded, playful musicals including the runaway hit Titaníque, an Olivier-winning lampoon built around Celine Dion-style showmanship and jukebox familiarity; Marla Mindelle reprises a lead role, joined by Jim Parsons and Deborah Cox, with a run at the St. James Theatre. The nostalgic, screen-to-stage revival Schmigadoon! arrives in a Broadway transfer that retains much of its television charm, while other revivals—such as a new production of Pippin at Signature Theatre—promise finely calibrated musical direction and inventive staging from directors known for revitalizing classics.
Spring also brings star-driven revivals and transfers: productions featuring Ayo Edebiri with Don Cheadle in Proof, plus an array of high-profile names across limited engagements that typically precede awards season. Together, these musicals and revivals form a season that balances serious dramatic inquiry with exuberant theatrical spectacle, making the coming months rich for both casual theater fans and dedicated theatregoers.
Practical tips for attendance
Given limited engagement windows and prominent casting across these shows, early ticket purchase and flexibility on dates will help secure desired seats. Check official theater websites for the most reliable schedules and ticketing links: many productions list direct purchase options and offer partial-release lotteries, rush tickets or digital lotteries for more affordable access. Whether you prioritize heavyweight drama like Death of a Salesman, contemporary reinterpretations such as Dog Day Afternoon, or campy musicals like Titaníque, this season delivers a varied theatrical diet with something to satisfy diverse tastes.